One night an obscure Mississippi country boy showed up... and he impressed Mr. Wright with his politeness and showmanship. "He always had a motion, you know" - Early Wright, WROX Clarkdale DJ on Elvis
Hi all, I have a new puzzler for those of you who are interested, William Stewart's "County Farm Blues" (titled in the youtube video "Country Farm Blues" despite the fact that William Stewart sings "county"). Here is the track, which was evidently recorded for Sun Records early on:
INTRO
Lord, but I'm goin', won't be gone so long And don't count the days I'm gone Well, my gal done left me, gone out on the County Farm
Thirty days in the workhouse, babe Sixty days in the workhouse, babe Well, my gal had nothin' to come and pay my bond
Write me a letter, baby But it's, please, don't write it wrong When you back your letter, back it back it in the County Farm
The questions on "County Farm Blues" are: * What playing position/tuning did William Stewart use to play the song? * Where did William Stewart fret the moving lines in his bass from :07--:15? * In the course of the song, William Stewart only frets his first string at the ___ and ___ frets.
Please use only your ears and your guitars to arrive at your answers, and please don't post any answers before 8:00 AM your time on Thursday, October 26. Thanks to all who participate and I hope you enjoy the song.
All best, Johnm
« Last Edit: October 31, 2017, 03:26:26 PM by Johnm »
Do I wanna do this again? Be wrong again? Well? OK
Tuning: Spanish. Key G The early-on bass line: 4th string 3rd fret, 4th string open, then up and down down the 5th string fret 5, 3 open, 3, 5 3 open, alternating each fifth-string note with the open 4th Top-string fretting: 3rd and 5th frets.
PS: Thanks, John, I had that damn riff on my mind all night.
I'm out on a limb then, I don't hear anything below a G on the bottom string. I'm going for E standard capped up to G. The phrase is then played out of an E shape with a final up bend on the bottom E string.The little intro phrase also falls out in E.
Great tune and William Stewart is new to me. I'm hearing this in open G and am in agreement with alyoung for the bass line and frets of the top string. That's what I'm hearing too.
I am really struggling but love the song so looking forward to hearing how it is played
Like blueshome I am struggling with the base in Spanish it doesn?t seem to go low enough of on the e string although Spanish was my first instinct without a guitar.
Hi all, It looks as though all of the responses are in to the puzzler on William Stewart's "Country [sic] Farm Blues", so I'll post the answers.
For William Stewart's "County Farm Blues": * His playing position/tuning was Spanish tuning * William Stewart fretted the moving bass line from :07--:15 as follows: 3rd fret fourth string, open fourth string, bent fifth fret of the fifth string, open fourth string, bent third fret of fifth string, open fourth string, open fifth string, open fourth string, bent third fret fifth string, open fourth string, bent fifth fret of the fifth string, open fourth string, bent third fret of the fifth string , open fourth string, open fifth string, open fourth string, etc. He strikes all of this notes with the thumb of his picking hand and interjects occasional little brush strokes of the open first and second strings in between them. So the only places he's fretting in this passage are the third fret of the fourth string and the third and fifth frets of the fifth string. One thing that really goes a long way in making the distinctive sound of this passage is that bent fifth fret of the fifth string--unbent, that note would be a IV note, but bent it is a #IV, which is a sound that will really make your scalp hurt--funky! * William Stewart only frets his first string at the third and fifth frets.
Thanks to all who participated in this puzzler. It's great to see more people involved, and this seems an affirmation that posting only one puzzler at a time is the way to go. I hope folks enjoyed the song, and I'll look for another puzzler to post soon.
All best, Johnm
« Last Edit: November 01, 2017, 06:32:46 AM by Johnm »
« Reply #1722 on: November 02, 2017, 09:13:08 AM »
Hi all, I've got a new puzzler for those of you who are interested. It's from Jesse Fuller and it's his performance of "99 Years And One Dark Day". Here it is:
Spoken: Here's "Ninety-Nine Years And One Dark Day". The ninety-nine years is when you got lifetime, the dark day's when you're dead, that's too bad for you.
INTRO SOLO (humming, Got ninety-nine years, one dark day)
I committed a crime, many years ago Shot my woman, with a .44 She had another man, rolling in my hay Got ninety-nine year and one dark day
Well, they put me in prison, with a ball and chain Worked me every day, in the drizzle and the rain The warden told me, "You're here to stay, For ninety-nine years, one dark day."
SOLO
Well, I got in a fight, believe to my soul They're gonna put me in the dungeon, where it's dark and cold I laid in the dungeon, all the month of May Got ninety-nine years, one dark day
Well, the food is bad, and the bed is hard Don't tell me, go and tell it to the guard Said to me, "Be happy and gay, Got ninety-nine years, here and one dark day."
SOLO (oh ah, mmmm)
Lifetime in prison, they begin to sing Lifetime in prison, here in the rain They said to me, "Be happy and gay, Got ninety-nine year, one dark day."
SOLO
The questions on "99 Years And One Dark Day" are: * What playing position/tuning did Jesse Fuller use to play the song? * Using Roman numerals to describe the chords, map out the progression to "99 Years and One Dark Day". * Where did Jesse Fuller fret the second chord he played in his opening solo and most of his verses?
Please use only your ears and your guitar to arrive at your answers, and please don't post any answers before noon, your time, on Sunday, November 5. Thanks for participating and I hope you enjoy the song. All best, Johnm
« Last Edit: November 15, 2017, 10:24:22 AM by Johnm »